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“Rudin’s collages, like his Bar Mitzvah Noir” (2018), bring together such disparate characters as a festive family and this cinematic picture’s leading man, a smartly dressed teenage boy, along with a plump figure from a Northern Renaissance painting; a well-appointed female traveler with her packed suitcases; a seated-Buddha statue; a costumed delegation from Central Asia; a blow-up, plastic zebra; and a stylishly dressed Barbie doll, all in a sprawling set of adjoining, bright, airy rooms.”
Edward Gomez (Founder and Editor), Brut Journal